Pop Culture Featuring the Estate of Jay Ward

(Ward, 1967) An original concept drawing of Shep from “George of the Jungle.” Measuring 3.25” x 4.25”, the graphit

(Ward, 1967) Three pages of original model drawings from “George of the Jungle” labeled “A,” “C,

(Ward, 1967) An original model drawing of George and Ape from “George of the Jungle.” Measuring 9.25” x 12.5” with

(Ward, 1967) An original model drawing of the Game Warden from “George of the Jungle.” Measuring 8.75” x 11.25” wi

(Ward, 1967) An original master model sheet of George and Shep from “George of the Jungle,” with an original graphite drawing and tw

(Ward, 1967) The original hand-drawn master of a George model sheet for “George of the Jungle,” with three graphite drawings and one

(Ward, 1967) The original hand-drawn master of an Ursula model sheet for “George of the Jungle,” comprised of four graphite and colo

(Ward, 1967) The “George of the Jungle” “Tooky-Tooky” Bird Master Model Sheet, with seven graphite and color penci

(Ward, 1967) A collection of production drawings of the elephant Shep from “George of the Jungle.” The set includes one model drawin

(Ward, 1967) An original production layout drawing of the main characters from “George of the Jungle.” With a character image size o

(Ward, 1967) An original layout drawing of George and a bird from the “George of the Jungle” episode “The Malady Lingers On

(Ward, 1967) An original layout drawing of George, Tookie-Tookie, and Ursula from “George of the Jungle.” With an image size of 9.2

(Ward, 1967) A production layout drawing from “George of the Jungle” featuring the main cast with a Game Warden. Accomplished in gra

(Ward, 1967) An original color key drawing of Ape with hand-written notations from “George of the Jungle.” Measuring 9.75”

(Ward, 1967) An original production drawing of George swinging on a vine from “George of the Jungle.” With an image size of 3

(Ward, 1967) An original production drawing of a tired Shep from “George of the Jungle.” With an image size of 4.5” x on 9

(Ward, 1967) An original production cel and background from the “George of the Jungle” pilot of Shep the Elephant on top of George,

(Ward, 1967) An original production cel and background from the “George of the Jungle” pilot of George and Shep the elephant. The pi

(Ward, 1967) An original production cel and background from “George of the Jungle” of George and Ursula riding Shep. With a characte

(Ward, 1967) An original hand-painted production cel of Ape from the “George of the Jungle” episode “Monkey Business.

(Ward, 1967) An original hand-painted production cel of Ape from the “George of the Jungle” episode “Monkey Business.

(Ward, 1967) An original hand-drawn illustration for “George of the Jungle” for promotion or merchandise, paired with the final colo

(Ward, 1967) The box for a “George of the Jungle” Zany Zoo toy, with cut-outs of George and Tooky on the reverse. Measuring 6.5

(Whitman, 1969) A George of the Jungle Coloring Book by Whitman Publishing. Measuring 10.75” x 8”, the book is in good condition wit

(Ward, 1980s) A layout drawing for “George of the Jungle” scene cel number 44 of the “Watch Out For That Tree!” mo

(Ward, 1989) Scene Cel #44 in the Jay Ward Productions Original Animation Scene Cels Collection, featuring Usula, Ape, Shep, and George of the Jungle,

(Ward, 1989) Scene Cel #45 in the Jay Ward Productions Original Animation Scene Cels Collection, featuring George of the Jungle, Ursula, and Shep, sig

(Ward, 1989) An original hand-inked and painted animation scene cel of George of the Jungle, Ursula, and Ape, signed in black ink by Jay Ward. With an

(Disney, 1996) A bongo set gifted to the cast and crew of the live-action “George of the Jungle” film on the first day of filming, S

(Disney, 1997) Two pages of six large removable vinyl decals for the live-action film “George of the Jungle.” Included are a large a

(Disney, 1997) A framed set of seven pins created for the premiere of the live-action film “George of the Jungle.” The set was relea

(Ward, 2005) A “George of the Jungle” series bible for the 2007 revival of the show, with two scripts and a messenger bag filled wit

(Ward, 1963-64) A very rare original “The Piccadilly Squares” character concept drawing by Al Shean. Jay Ward developed this series

(Ward, 1963-64) A collection of development drawings from “Super Chicken.” The 35 pages include design and color concepts for Super

(Ward, 1967) A presentation board for “Super Chicken” featuring an original illustration of the hero himself with Fred the Chicken L

(Ward, 1960s) A large collection of 20 Fred the Lion character development drawings from the “Super Chicken” animated segment of [x=

(Ward, 1967) An original publicity cel for “Super Chicken” with a hand-painted background by Sam Clayberger. With a character image

(Ward, 1989) Scene Cel #46 in the Jay Ward Productions Original Animation Scene Cels Collection, featuring Super Chicken and Fred in the Super Coop, s

(Ward, 1989) Scene Cel #47 in the Jay Ward Productions Original Animation Scene Cels Collection, featuring Super Chicken and Fred the Lion, signed in

(Ward, 1960s) A storyboard pitch book for “The Magic of Christmas,” an unproduced television special hosted by actor Tony Randall fe

(Ward, 1964) A publicity cel for “The Nut House!!” of Jay Ward and Bill Scott in straight jackets. A pilot for this live-action sket

(Ward, 1964) Two production script copies of “The Nut House!!” pilot episode written by Jay Ward and Bill Scott with former

(Ward, 1964) A credit cel from the proposed TV Series, “Jay Ward’s Nut House.” Ward included several gag names such as Iris

(Ward, 1965) A pair of unproduced Jay Ward pitch books. “The Soap Opera Show” was to be an adult animated series featuring many char

(Ward, 1960s-80s) Storyboards for two unproduced series by Jay Ward Productions. Included are sets for two episodes of an animated series following th

(Ward, 1960s-70s) A pitch book for the unproduced Jay Ward Productions show “Hob’s Goblins” about Hobson Doggerel, a witchd

(Ward, 1963) A four-page story pitch for an unproduced live-action television show titled "Gaslight Theater" by Bill Scott and Jay Ward, s...

(Ward, 1963-64) A hand-drawn and colored storyboard for “Colonel Swagger and the Office of Odds and Ends,” by Al Shean. Planned to b

(Ward, 1960s-70s) Three pirate-themed character development drawings by Lou Keller for an unproduced Jay Ward Productions series. Measuring 9.5

(Ward, 1960s-80s) A layout drawing of a camel president and his assistant from an unknown Jay Ward Production. The assistant drawing is from a separat

(Ward, 1969) A hand-painted publicity cel and background for “Hawkear and Pierced Arrow” by Lew Keller. The Jay Ward Productions pil

(Ward, 1971) A hand-painted publicity cel and background by Lew Keller for "Fang the Wonder Dog," an unproduced parody of Lassie. With a v...

(Ward, 1975) A set of 7 credit cels and 7 prints from a collection of shorts written by humorist Robert Benchley. The prints measuring 5” x 8

(Ward, 1979) A pair of title stats for “Jay Ward’s Total Catharsis Retrospective Revue.” Each stat containing two rows of t

(Ward, 1971) A collection of production-used title stats for a screening of three Buster Keaton films presented by Jay Ward. Having grown up in the si

(Ward, 1960s-70s) An original hand-painted background from an unidentified Jay Ward Production. Accomplished in gouache and pastel and measuring 10.5

(Ward, 1960s-70s) An original hand-painted presentation cel of Captain Cutlass, the lead character of an unproduced Jay Ward series. Measuring 9.5

(Gist, 1960s) A thank you drawing from Clark Gist to Bill Scott, the voice artist for Dudley Do-Right, Bullwinkle, and moon man Gidney. Gist was an an

(General Mills, 1961) A marketing kit sent to grocery stores for the “Animal Carnival” cereal promotion, which featured large

(Quaker Oats/General Mills, 1950s-60s) A collection of production materials from cereal commercials by Jay Ward Productions. Included are a color mode

(Ward, 1960s-80s) A collection of production material for cereal commercials by Jay Ward Productions. Included is a photocopy height chart of the S.S.

(Ward, 1960s) A hand-painted color key cel for a 1960s Cheerios commercial starring Bullwinkle. With an image size of 3.75” x 4.25”

(Quaker Oats, 1969-72) An original, production-used color model cel of Quake’s revised “Cowboy” design from a Quake cereal

(Quaker Oats, 1970s) An original multi-layer production cel from a Quisp and Quake commercial presented with a color copy background. The unique arran

(Quaker Oats, 1960s-80s) An original color key guide of Cap'n Crunch with headphones. Production used this photocopy of an animation drawing to ...

(Quaker Oats, 1960s-80s) An original production drawing of Cap’n Crunch from a cereal commercial. With a character image size of 4”

(Quaker Oats, 1960s-80s) An original color key drawing of a chair with hand-written notations from a Cap’n Crunch commercial. Measuring 10.5

(Quaker Oats,1982) An original production-used timing sheet from a Choco Crunch Cereal commercial. The sheet is labeled Scene 7 and “Mr. Choc

(Quaker Oats, 1960s-80s) A collection of sequential production cels and drawings from a Cap’n Crunch commercial featuring Dave, one of the cr

(Ward, 1960s-80s) An original production cel from a Cap’n Crunch commercial signed in ink by Jay Ward. The cel features Cap'n and his crew...

(Quaker Oats, 1960s-80s) An original production cel of Jean LaFoote from a Cap’n Crunch cereal commercial with the original production drawin

(Quaker Oats, 1969-71) An original production cel of the S.S. Guppy Crew Kids from a Cap’n Crunch cereal commercial with 10 original producti

(Quaker Oats, 1960s-80s) An original production cel of Smedley the Elephant from a Cap’n Crunch Peanut Butter Crunch commercial with a pair o

(Quaker Oats, 1960s-80s) An original multi-layer production cel of the S.S. Guppy Crew from a Cap’n Crunch commercial with three original pro

(Quaker Oats, 1960s-80s) An original production cel and drawing from a Cap’n Crunch commercial with a color copy background. With a character

(Quaker Oats, 1960s-80s) An original production cel and two drawings of the Crunchberry Beast and Alphie from a Cap’n Crunch cereal commercia

(Quaker Oats, 1960s-80s) An original production cel of Jean LaFoote and a background from a Cap’n Crunch commercial. With an image size of 6.

(Quaker Oats, 1960s-80s) An original production cel of Jean LaFoote and S.S. Guppy crewmates Alphie, Brunhilde, and Carlyle from a Cap’n Crun

(Quaker Oats, 1960s-80s) An original production cel of Cap’n Crunch from a cereal commercial presented with a color copy background. With a c

(Quaker Oats, 1960s-80s) An original production cel of Crunchberry Beast and Alphie from a Cap’n Crunch cereal commercial with two original p

(General Mills, 1969) Three toy molds of Jay Ward’s Rocky and Bullwinkle, and Total Television’s Underdog. These “springy

(Ward, 1960s-70s) An original hand-drawn model sheet featuring five sketches of Snidely Whiplash for his appearances in a series of Quisp Cereal comme

(Ward, 1960s) A beautiful Cap’n Crunch’s Imperial Map of the World. This colorful map details the Cap’n’s adventur

(Quaker Oats, 1960s-70s) An original multi-layer production cel of Jean LaFoote and the S.S. Guppy Kids from a Cap’n Crunch cereal commercial

(Quaker Oats, 1960s-70s) An original production drawing and background from a King Vitamin commercial. Measuring 10.5” x 12.5” with

(Ward, 1970s) A pair of early Dudley Do-Right Emporium Gift Catalogs and two mailers. The 32-page catalogs are full of Ward character merchandise, spl

(Ward, 1970s-90s) A Boris Badenov and Natasha Fatale t-shirt transfer from Jay Ward’s Dudley Do-Right Emporium in Los Angeles. With an image

(Ward, 1970s-90s) An unused Cedar Yorpantz Flying Academy Rockett J. Squirrel t-shirt transfer from Jay Ward’s Dudley Do-Right Emporium in Lo

(Ward, 1970s-90s) An unused Bullwinkle T-shirt transfer featuring the phrase “Whatsamatta U,” spelled differently than the Wossamott

(Ward, 1971) An original color key drawing used for a “George of the Jungle” t-shirt sold at the Dudley Do-Right Emporium, dated Aug

(Ward, 1970s) An original hand-painted multi-layer cel of George of the Jungle. This design was used for t-shirts sold at Jay Ward’s Dudley D

(Ward, 1970s) An original hand-painted multi-layer cel of George and Ursula from “George of the Jungle.” This design was used on t-s

(Ward, 1970s) An original hand-painted multi-layer cel of Ape from “George of the Jungle” reading Origin of the Species. This design

(Ward, 1971-2005) A sign displayed at the Dudley Do-Right Emporium promising the store is protected by both “an abiding faith in the goodness

(Ward, 1980s-2000s) A handmade wooden cut-out of Dudley Do-Right displayed at Dudley Do-Right’s Emporium in Hollywood. This double-sided cut-

(Ward, 1980s-2000s) A handmade wooden cut-out of Nell Fenwick from “Dudley Do-Right” displayed at Dudley Do-Right’s Emporiu

(Ward, 1980s-2000s) A handmade wooden cut-out of George of the Jungle displayed at Dudley Do-Right’s Emporium in Hollywood. This single-sided

(Ward, 1970s-80s) A wooden hand-painted wall decoration of Captain Peter “Wrong Way” Peachfuzz from “Rocky and Bullwinkle,

(Ward, 2004) A tin sign of a collectible Rocky and Bullwinkle For Hire sign, displayed at the Dudley Do-Right Emporium. Measuring 12” x 15[x=

(Ward, 1980s-2000s) A plexiglass sign of Dudley Do-Right displayed at Dudley Do-Right’s Emporium in Hollywood. Measuring 80” x 43[x=