The Bob Clampett Collection

(Clampett, 1926) Clampett's career path was clear from a very early age. In this five-page school report, 13-year-old Robert Clampett talks abou...

(Clampett, 1925) An impressive "Pathe News" comic strip drawn by 12-year-old Robert Clampett. The artwork clearly illustrates the influenc...

(Clampett, 1926) In 1926 Clampett’s father arranged for and took his 13-year-old son to visit the set of "Our Gang" during productio...

(Clampett, 1927-1928) As with any good political cartoonist, 14-year-old Bob Clampett kept up with current events. In this comic, Clampett celebrates

(Clampett, 1928) In the late 1920s, sports comics were very popular in the newspaper, and a 15-year-old Bob Clampett was sure to try his hand at it. I

(Clampett, 1928) The Summer Olympics of 1928 were held in Amsterdam and 15-year-old Bob Clampett was sure to take note of it in this tongue-in-cheek s

(Clampett, 1928) The 1928 Summer Olympic Games ended with the United States leading all nations with 56 medals. A 15-year-old Bob Clampett immortalize

(Clampett, 1927) Bob Clampett's personal copy of his 1927 Glendale Union High School Yearbook. As a freshman, Clampett was just establishing him...

(Clampett, 1928) Bob Clampett's personal copy of his 1928 Glendale Union High School Yearbook. As a sophomore, Clampett's artistic talents b...

(Clampett, 1929) Bob Clampett's personal copy of his 1929 Glendale Union High School Yearbook. As a junior and a well-established artist at the ...

(Clampett, 1930) In his senior year of High School, Clampett moved to Herbert Hoover High School in Glendale. This personal copy of his Senior yearboo

(Clampett, 1930) This original comic was created by Clampett at age seventeen during his senior year of High School. It is clear that his style has be

(McCay, 1914) Although Bob Clampett was only a year old when Winsor McCay's "Gertie the Dinosaur" came to life, its impact on generati...

(Briggs, 1913) Clare Briggs was a popular newspaper cartoonist in the early 1900s with several popular strips that ran until his death in 1930. Althou

(Briggs, 1919) Bob Clampett was clearly a fan of cartoonist Clare Briggs, which is evident in the early drawings that Clampett made during his teens.

(J. Campbell Cory, 1920) A rare The Cartoonist's Art book by American Newspaper Cartoonist John Benjamin Cory, that was likely a valuable tool f...

(B. Knight, 1923) A must-have for any aspiring cartoonist, this "how-to" booklet by cartoonist Benjamin "Tack" Knight was likely...

(Fisher, 1926) Bud Fisher, a sports cartoonist with the San Francisco Chronicle, created the Mutt and Jeff Comic Strip in 1907. The wildly successful

(McManus, 1931) American Cartoonist George McManus is best known for his "Bringing Up Father" comic strip which he created in 1913 and con...

(Disney, 1931) The emergence of Mickey Mouse changed the world of animation forever and influenced countless young artists. Clampett's own exper...

(Los Angeles Examiner, 1932-1938) The Comic pages of the Los Angeles Examiner were an important part of young Bob Clampett's artistic upbringing...

(Charlotte Clark, 1930) A rare Charlotte Clark Mickey Mouse Doll. This 18" version of the doll was likely manufactured at the Studio Shop where...

(Fanchon & Marco, 1930s) An extremely rare publicity photo for an early 1930s live stage show produced by Fanchon & Marco. The brother and s...

(Stalling, 1918-1919) A photographic portrait of legendary composer Carl Stalling. The prolific animation composer scored cartoons from Disney's...

(Stalling, 1918) A photo of Carl Stalling playing the organ in 1918 at the Isis Theatre in Kansas City. Most likely a later copy, the 10” x 8

(Stalling, 1927) A photo of the Kansas City Madrid Theatre with the marquee billing “Carl Stalling- Organist of Renown.” This photo

(Disney, 1920s) A rare early photo of Ub Iwerks and Hugh Harman in the Kansas City Laugh-O-Grams Studio, where Carl Stalling first teamed up with Walt

(Disney, 1923) An extremely rare original 1923 photo of Walt Disney. The 2.5” x 4” photo came from the estate of Carl Stalling and f

(Disney, 1923) An extremely rare early photo of Walt Disney and his Uncle Robert. The 4” x 2.5” photo came from the estate of Carl S

(Disney, 1923) An extremely rare early photo of Walt and Roy Disney and their Uncle Robert and Aunt Charlotte. The 4” x 2.5” photo c

(Disney, 1923) An extremely rare early photo of Roy Disney. The 2.5” x 4” photo came from the estate of Carl Stalling and features D

(Disney, 1923) An extremely rare early photo of Roy Disney. The 2.5” x 4” photo came from the estate of Carl Stalling and features D

(Disney, 1923/24) An extremely rare early photo of Walt and Roy Disney with Rudy Ising, George Winkler, and Margie Gay on the lot they filmed the Alic

(Winkler, 1920s) A mid-1920s exhibitor program promoting Walt Disney’s Alice Comedies. The single-sheet fold-out features critics reviews and

(Disney, 1925) A rare original photo of the staff at the Kingswell Street headquarters of the Disney Bros. Studio in 1925. Pictured are Rudy Ising, Hu

(Disney, 1925) A rare original photo of the staff at the Kingswell Street headquarters of the Disney Bros. Studio in 1925. Pictured are Rudy Ising, Hu

(Disney, 1925) A rare original photo of the staff of the Disney Bros Studios. Pictured are (left to right) Irene Hamilton, Rudy Ising, Hazelle Linston

(Disney, 1925-26) A set of three photos of Walt Disney and Studio staff posing with Margie Gay, who starred in 31 Alice Comedies in 1925 and 1926. The

(Disney, 1925) An incredible photo of a 23-year-old Walt Disney on his Honeymoon, taken aboard the Steamship H.F. Alexander out of Seattle. Disney sen

(Disney, 1920s) A rare original photo of Walt Disney with his 1926 Moon Roadster. Walt was very fond of this car, however, in 1928 when the studio fac

(Disney, 1920s) A rare original photo of Walt and Lillian Disney with Lillian's Mother and Sister. The photo was sent to Carl Stalling by Walt D...

(1929/1930) An extremely rare pair of photo booth pictures: one shows Carl Stalling with his wife, Gladys, and the other captures Stalling alongside D

(Bull, 1930s) A rare original photo by famed Hollywood Photographer Clarence Sinclair Bull featuring Walt and Lillian Disney and their dog, Sunnee. Th

(Disney, 1930s) A rare original photo of Walt Disney sitting at his desk in the Hyperion Ave. Studio in Los Angeles. The 9.5” x 7.5”

(Disney, 1931-34) A very rare publicity photo of Carl Stalling and musicians on the soundstage at Disney’s Hyperion Avenue Studio. Also prese

(Disney, 1920s) A Carl Stalling business card from the Walt Disney Studio at 2719 Hyperion Ave. As a top composer in the golden age of animation, Stal

(MGM, 1934) A photo of composers Carl Stalling and Art Turkisher working on the score to “Jungle Jitters” from Ub Iwerks’ W

(Stalling, 1962/1966) Sheet music for the original songs “We’ll Get Along” and “Maybe It’s All For The Be

(Stalling, 1929-32) After “Steamboat Willie,” Walt Disney knew he needed a staff composer. He hired his close friend from Kansas Cit

(Stalling, 1920s-40s) Carl Stalling’s personal scrapbook detailing his early career in Kansas City and with Disney. Containing many important

(Stalling, 1930s) Carl Stalling’s personal conductor’s baton. Stalling, who is best known for composing and orchestrating the scores

(Disney, 1920s-40s) A collection of 13 negatives and 24 prints of very early Disney Studio photos. The negatives include images of Walt with Charlotte

(Disney, 1930s) A rare very early print of a photo taken outside Disney’s Hyperion Studio featuring (standing) Jack King, Ub Iwerks, Walt Dis

(Disney, 1920s) A rare 1920s Oswald the Rabbit model sheet from Bob Clampett’s personal collection. Model sheets such as these were distribut

(Disney, 1929) An exceptional original production drawing by Ub Iwerks of Mickey Mouse from the character’s 4th animated short “The

(Clampett, 1931) An original drawing from Bob Clampett’s “drawn diary” featuring an evening at the movies with his friends.

(Clampett, 1930s) Although Bob Clampett did not work at the Walt Disney Studios, he was no doubt a fan of the artists there and the characters they cr

(Clampett, 1933) An original drawing from Bob Clampett's drawn diary featuring a day at the beach and an evening with friends and colleagues at ...

(Disney, 1933) A rare original printed model sheet for the groundbreaking 1933 Silly Symphony short “Three Little Pigs.” Although Cl

(Disney, 1933) A rare original printed model sheet of the Big Bad Wolf from the grounbreaking 1933 Disney Short “The Three Little Pigs.

(Disney, 1933) A rare studio fan card featuring the Three Little Pigs with Mickey and Pluto. Printed cards like these were given to guests at the Stud

(Disney, 1933) A Three Little Pigs hardcover book with color illustrations. A handwritten note on the title page reads “Given to Bob Clampett

(Disney, 1930s) An original production drawing of Mickey Mouse from an unknown mid-1930s short. The image of Mickey measures 4” x 3.25

(Clampett, 1937-38) A Minnie Mouse model sheet hand drawn by Bob Clampett. This sheet very closely matches the official Disney Studio Minnie Mouse mod

(Clampett, 1937-38) A Mickey Mouse model sheet hand drawn by Bob Clampett. This sheet very closely matches the official Disney Studio Mickey Mouse mod

(Clampett, 1937-38) A Mickey Mouse model sheet hand drawn by Bob Clampett. This sheet very closely matches the official Disney Studio Mickey Mouse mod

(Disney, 1937) A pair of Studio-produced photostat model sheets for the animated shorts "Donald’s Ostrich" and “Clock Cleaners.

(Clampett, 1931) A gag drawing by Bob Clampett based on the Mickey Mouse short “The Moose Hunt.” Accomplished in graphite and colore

(Disney, 1937) A pair of original production drawings of Goofy from the Mickey Mouse series short “Clock Cleaners.” Measuring 10

(Disney, 1937-39) A collection of five model sheets from Disney animated sorts released from 1937 to 1939. Included are one sheet each from “

(Disney, 1937) An original program from the world premiere of “Snow White and the Seven Dwarfs.” Held at the Carthay Circle Theatre

(Disney, 1950s) A Disney Studio photographic dye transfer of a scene from “Snow White and the Seven Dwarfs.” Dye transfers such as t

(Disney, 1939) An original production drawing from the Silly Symphony short “The Practical Pig.” Measuring 10” x 12

(Disney, 1939/1970s-1980s) Three photostat model sheets, one original and two later-produced copies, of the Big Bad Wolf and the Three Little Wolves f

(Disney, 1939) An original production drawing of Fifer and Fiddler Pig from the Silly Symphony short “The Practical Pig.” With a cha

(Disney, 1938) An original production drawing of Donald Duck from “Donald’s Golf Game.” With a character image size of 4.25

(Disney, 1940) An original Walt Disney’s “Fantasia” program created for the film’s initial theatrical release. The

(Disney, 1950s-60s) A pair of animation drawings of Donald Duck holding a staff and Huey, Dewey, and Louie walking with rifles. These were likely from

(Disney, 1950s-80s) A Disney Studio photographic dye transfer of a scene from the 1938 short “Donald’s Better Self.” Dye tr

(Disney, 1955) A “Lady and the Tramp” special screening invitation, sent to Bob Clampett. Bob added a note to his wife Sody to RSVP

(Harman-Ising, 1928) A photo print of Hugh Harman and Rudolf Ising with staff from their time directing “Oswald the Lucky Rabbit” ca

(Clampett, 1930s) A Bob Clampett Harman-Ising Productions business card. Clampett worked at the studio from 1931-1933. Measuring 2” x 3.5

(Harman-Ising, 1930-33) A very rare sheet of Harman-Ising Studio stationery, from the period when they were producing Looney Tunes featuring Bosko. Ep

(Harman-Ising, 1929-38) A very rare unused envelope from the Harman-Ising Studio. measuring 4.25” x 9.5”, the envelope is in fine co

(Harman-Ising, 1929-1938) A Melvin Millar business card from Harman-Ising Productions. A gag writer for the studio, Millar specialized in creating jok

(Clampett, 1931-1932) A letter draft from Bob Clampett to E.C. Segar, the creator of Popeye the Sailor. Clampett kept this handwritten draft of the le

(Disney, 1933) A letter from Roy O. Disney to Harman-Ising, the producers of Looney Tunes and Merrie Melodies. In the letter, Roy urges all cartoon pr

(Mercer, 1950s-60s) A print of Popeye signed by voice actor Jack Mercer with a dedication to Bob Clampett and his wife, Sody. The 6.5” x 5.5

(Harman-Ising, 1930s) An extremely rare oil painting on canvas of Bosko and Honey, by their co-creator Hugh Harman, that decorated the studio offices.

(Harman-Ising, 1920s-1930s) An original promotional photo of Hugh Harman and Rudolf Ising with a drawing of Bosko and Honey. The two characters are ha

(Warner Bros., 1932) A very rare internal notice of a gag meeting for the Bosko short “Bosko in Dutch.” Gag meetings are a little-do

(Harman-Ising, 1930s) A photograph of animator Larry Martin with a cel and background from a Bosko cartoon. In a note on the back, Clampett identifies

(Harman-Ising, 1932) An original storyboard drawing of Bosko and Honey from the Looney Tunes short “Battling Bosko.” Accomplished in

(Harman-Ising, 1932) An original storyboard drawing of Bosko and Gas House Harry from the Looney Tunes short “Battling Bosko.” Accom

(Harman-Ising, 1932) An original production drawing of Bosko from the Looney Tunes short “Battling Bosko.” Accomplished in graphite

(Harman-Ising, 1932) An original storyboard drawing of Honey from the Looney Tunes short “Battling Bosko.” Accomplished in graphite

(Harman-Ising, 1932) An original storyboard drawing from the Looney Tunes short “Battling Bosko,” featuring a character with a strik

(Harman-Ising, 1932) An original storyboard drawing of Honey from the Looney Tunes short “Battling Bosko.” Accomplished in graphite

(Harman-Ising, 1932) An original storyboard drawing of a crowd from the Looney Tunes short “Battling Bosko.” Accomplished in graphit

(Harman-Ising, 1932) An original layout drawing featuring Bosko and Honey’s stagecoach driver from the Looney Tunes short “Ride Him,