The Bob Clampett Collection

(Schlesinger, 1940) An original storyboard panel from the Looney Tunes short “Prehistoric Porky,” directed by Bob Clampett. Accompli

(Schlesinger, 1940) A collection of eight storyboard panels featuring Porky and Rover from the Looney Tunes short “Prehistoric Porky,

(Schlesinger, 1940) A pair of storyboard panels for unused gags from “Prehistoric Porky” directed by Bob Clampett. In the cartoon as

(Schlesinger, 1940) A collection of seven storyboard panels from the Bob Clampett-directed Looney Tunes short “The Timid Toreador.”

(Schlesinger, 1940) The original title cel for the Porky Pig-starring Looney Tunes short “Ali-Baba Bound,” directed by Bob Clampett.

(Schlesinger, 1940) A layout drawing of the first Looney Tunes title card showing Porky Pig bursting from a drum. This layout was featured at the begi

(Schlesinger, 1941) A Bob Clampett-signed layout drawing for the revised Looney Tunes title card of Porky Pig bursting through a drum. As Porky'...

(Warner Bros., 1940s) A model sheet for Porky Pig as he appeared starting in 1945. Model sheets such as this were distributed to animators to ensure c

(Schlesinger, 1941) An original photostat model sheet and negative print from “Porky’s Pooch” of the homeless Scotty dog in

(Schlesinger, 1944) A pair of identical photostat model sheets for the 1945 Merrie Melodies cartoon “Wagon Heels.” This cartoon was

(Schlesinger, 1943) An original hand-painted production cel of Porky Pig from the Looney Tunes cartoon “Yankee Doodle Daffy,” direct

(Schlesinger, 1940s) A production-used photo print of a “That’s all Folks!” Porky Pig illustration with a hand-written Leon

(Clampett, 1934-35) An original hand-painted concept title treatment for “Warlord of Mars,” based on Edgar Rice Burroughs's

(Clampett, 1934-35) A concept painting from Bob Clampett’s canceled “Warlord of Mars.” This watercolor piece showcases an e

(Clampett, 1934-35) An original concept drawing of John Carter from Bob Clampett’s canceled “Warlord of Mars” film. With an

(Clampett, 1934-35) An original concept drawing of a mad scientist from “Warlord of Mars.” On the reverse, Clampett wrote a list of

(Clampett, 1934-35) A concept drawing of a Thoat from Bob Clampett’s unrealized “Warlord of Mars” film, based on the John C

(Clampett, 1934-35) A figure study drawing from Bob Clampett’s “Warlord of Mars” working toward animating realistic yet sty

(Clampett, 1934-35) A concept drawing and a description of a Thoat, the Martian horses that the Thark ride in Edgar Rice Burrough’s Barsoom s

(Clampett, 1934-35) A color key drawing with hand-written notations of a Thoat and rider from Bob Clampett’s “Warlord of Mars.

(Clampett, 1970s) A “Warlords of Mars” Thoat and rider color key drawing with hand-written notations from “Warlord of Mars.

(Clampett, 1934-35) An original concept drawing of a figure in an otherworldly cavern from “Warlord of Mars,” accomplished in waterc

(Clampett, 1934-35) An original concept drawing from the Bob Clampett and Burroughs family collaboration “Warlord of Mars,” based on

(Clampett, 1934-35) An otherworldly original concept drawing from Bob Clampett’s canceled “Warlord of Mars.” The piece depi

(Clampett, 1934-35) A collection of nine pages of graphite storyboard drawings and dialogue for “Warlord of Mars” Chapter I, The Bla

(Clampett, 1934-35) A collection of four pages of timing sheets, a production schedule, and budget breakdown for Bob Clampett’s “War

(Clampett, 1970s) A hand-painted “Warlord of Mars” cel of a green Thark, a four-armed native of Mars, riding into battle atop an eig

(Clampett, 1970s) A hand-painted “Warlord of Mars” cel of Thark riding a Thoat. This artwork was featured on the cover of a 1976 iss

(Clampett, 1934-35) An original multi-layer cel and watercolor background from Bob Clampett’s “Warlord of Mars.” The images

(Schlesinger, 1936) A goodbye drawing signed by the staff of Leon Schlesinger Productions given to Bob Clampett when he left the studio in 1936. The c

(Clampett, 1936-37) A treatment and storyboards for the animated opening to “When’s Your Birthday?” starring Joe. E. Brown

(MGM, 1936-37) An original storyboard drawing for the full-color animated opening to “When’s Your Birthday?” starring Joe E

(Schlesinger, 1936) An original color model drawing of Johnny Weissmuller and Lupe Vélez from the Merrie Melodies short “The CooCoo Nut G...

(Schlesinger, 1936) A pair of production cels of Stan Laurel as a monkey and “Tarzan” actor Johnny Weissmuller and his wife Lupe Vél

(Schlesinger, 1936) An original production cel of a Wallace Beery caricature from the Merrie Melodies short “The CooCoo Nut Grove.”

(Schlesinger, 1933-1941) A collection of four celebrity caricatures from Merrie Melodies shorts. Featured are production drawings of Frankenstein

(Schlesinger, 1937) An original production drawing of Daffy Duck from his debut appearance in the Looney Tunes short, “Porky’s Duck

(Schlesinger, 1937) An original production drawing of Daffy Duck from his debut appearance in the Looney Turns short “Porky’s Duck H

(Schlesinger, 1937) A set of photo print model sheets from the Looney Tunes short “Porky’s Duck Hunt,” which marked the deb

(Schlesinger, 1937) A three-page picture report for the Looney Tunes short “Porky’s Duck Hunt,” directed by Tex Avery. Anim

(Saalfield Publishing, 1930s) A linen book titled Porky Pig’s Duck Hunt. In verse over 12 illustrated pages, the book tells the story of the

(Warner Bros., 1938) A collection of three storyboard panels from the Looney Tunes short “Porky & Daffy,” directed by Bob Clampett,

(Warner Bros., 1938) A collection of five storyboard panels from the Looney Tunes short “Porky & Daffy,” directed by Bob Clampett. M

(Schlesinger, 1938) A pair of storyboard panels from the Looney Tunes short “Porky & Daffy,” directed by Bob Clampett. Featured on t

(Schlesinger, 1938) An unused layout drawing from the Looney Tunes cartoon “The Daffy Doc,” directed by Bob Clampett. The hospital i

(Schlesinger, 1938) A collection of 11 storyboard panels from the Bob Clampett-directed Looney Tunes short “The Daffy Doc.” Accompli

(Schlesinger, 1938) A collection of nine storyboard panels of Porky and Daffy from the Bob Clampett-directed Looney Tunes short “The Daffy Do

(Schlesinger, 1938) An original production cel of the chef from the Merrie Melodies cartoon “Daffy Duck in Hollywood,” directed by T

(Schlesinger, 1939) A collection of nine storyboard panels featuring Porky, Daffy, and Mrs. Daffy from the Bob Clampett-directed Looney Tunes short

(Warner Bros., 1930s-40s) An original concept drawing for an unproduced gag featuring Porky Pig in a pith helmet and Daffy Duck dressed Tarzan-style a

(Warner Bros., 1940s) A model sheet for Daffy Duck as he appeared from 1944-1950. Model sheets such as this were distributed to animators to ensure co

(Schlesinger, 1943) An original production drawing of Daffy Duck from “The Wise Quacking Duck,” directed by Bob Clampett. With an im

(Schlesinger, 1943) An original production drawing of Daffy Duck from “The Wise Quacking Duck,” directed by Bob Clampett. A note on

(Schlesinger, 1943) An original production cel and background from the Looney Tunes cartoon “The Wise Quacking Duck,” directed by Bo

(Schlesinger, 1943) A pair of production cels of Daffy Duck and Mr. Meek with an original background from the Looney Tunes cartoon “The Wise

(Schlesinger, 1943) An original production cel from the Looney Tunes cartoon “The Wise Quacking Duck,” directed by Bob Clampett. Wit

(Schlesinger, 1943) An original hand-painted production background from “The Wise Quacking Duck.” Accomplished with gouache on 10[x=

(Warner Bros., 1946) An original model sheet rough drawing from the Looney Tunes short “Book Revue” of Daffy Duck, Little Red Riding

(Warner Bros., 1946) An original model sheet clean-up drawing from the Looney Tunes short “Book Revue” of Daffy Duck, Little Red Rid

(Warner Bros., 1946) A photo from a storyboard session for the Looney Tunes short “The Great Piggy Bank Robbery," directed by Bob Clampet...

(Clampett, 1940s) A multi-signed novelty postcard of Bob Clampett and his animation unit from Leon Schlesinger Productions. Pictured are Clampett stan

(Clampett, 1940s) A photo postcard of Bob Clampett and his animation unit from Leon Schlesinger Productions taken on Theater Day at the studio. Most o

(Schlesinger/Warner Bros., 1940s-50s) A collection of four sheets of Warner Brothers Animation letterhead. Included are two sheets from the Hollywood

(Schlesinger, 1940) A Bob Clampett employee card from Leon Schlesinger Productions, dated April 17, 1940. Clampett, labeled as a Dep't "Sup...

(Schlesinger, 1942) A Bob Clampett employee card for Leon Schlesinger Productions, dated March 13, 1942. This was a significant year for Clampett, as

(Clampett, 1940s) A self-caricature of Bob Clampett with other members of the Leon Schlesinger Productions crew including Schlesinger, Bob McKimson, M

(Clampett, 1930s-40s) Three holiday cards from Bob Clampett. Included are a rhyming poem “from Bugs Bunny and Bob Clampett,” a card

(Schlesinger, 1943) A slightly suggestive Christmas Card from the Ink and Paint Department to Bob Clampett in 1943. The card features over 30 signatur

(Schlesinger, 1940s) A hand-painted Christmas card to Bob Clampett of him riding a motorcycle, signed by 17 of his colleagues at Leon Schlesinger Prod

(Schlesinger, 1940s) A group photo taken at a 1940s Schlesinger Productions Christmas party. Bugs Bunny can just be made out as the angel on top of th

(Schlesinger, 1942-43) A thank you card from the Ink and Paint department to Bob Clampett. In verse, they thank him for a card and candy, and give hop

(Schlesinger, 1943) A hand-drawn Christmas card to Bob Clampett, signed by 15 of his colleagues at Leon Schlesinger Productions. Signatures include Bi

(Clampett, 1940s) A title card cel and background for “The Mooch of Time” parodying “The March of Time,” a popular

(Schlesinger, 1940s) Original artwork for proposed new Juicy Fruit, Spearmint, and Doublemint characters for Wrigley’s gum advertisements. Ac

(Schlesinger, 1940s) Original artwork for proposed new characters for Wrigley’s gum advertisements. Accomplished in mixed media, the art has

(Clampett, 1940) A “One Million B.C.” ad parody and art class receipt. Bob Clampett made humorous touch-ups to the newspaper ad, add

(Leon Schlesinger Productions, 1939) An original drawing of the final version of the Looney Tunes logo. The blocky, skewed letters of the logo origina

(Schlesinger, 1937) An original photostat model sheet of Elmer Fudd for his debut appearance in “Little Red Walking Hood,” directed

(Schlesinger, 1939-41) A collection of four dialogue and recording pages for Looney Tunes and Merrie Melodies cartoons. Included are two typed pages f

(1930s-1940s) A layout drawing from an unknown production based on the nursery rhyme "There Was an Old Woman Who Lived in a Shoe.” With a...

(Schlesinger, 1940) A collection of six photo print model sheets from “The Bear’s Tale,” directed by Tex Avery. Sheets like

(Warner Bros., 1940s) A collection of 12 pages of original model drawings for a chicken, rooster, and horse characters from an unknown cartoon product

(Schlesinger, 1940) A four-page script for the animated short “Cross Country Detours,” a comedic take on nature documentaries writte

(Schlesinger, 1943) An original layout drawing from the World War II propaganda film “Tokio Jokio.” This is the interior of a submar

(Schlesinger, 1941) An original hand-painted background from the Merrie Melodies short “The Cagey Canary.” The short was originally

(Schlesinger, 1941) An original hand-painted production background of a forest from the Merrie Melodies short “Farm Frolics.” Accomp

(Schlesinger, 1941) An original hand-painted production background of a forest and lake from the bird scene in “Farm Frolics.” Accom

(Schlesinger, 1941) An original hand-painted production cel of Leopold Stokowski from “Goofy Groceries.” The caricature of the famed

(Schlesinger, 1941) An original hand-painted production log cabin door background from “Goofy Groceries.” Accomplished in gouache an

(Schlesinger, 1941) An original hand-painted production background of a wooden counter from “Goofy Groceries.” Accomplished in gouac

(Schlesinger, 1941) An original hand-painted egg carton production background from Merrie Melodies short “Goofy Groceries.” Measurin

(Schlesinger, 1941) An original hand-painted background of an Animal Crackers box from the Merrie Melodies short “Goofy Groceries,”

(Schlesinger, 1941) A multi-layer hand-painted production cel and background from the Merrie Melodies short “Goofy Groceries,” direc

(Schlesinger, 1941) A multi-layer hand-painted cel and an original background from the Bob Clampett-directed short “Goofy Groceries.

(Schlesinger, 1941) An original multi-layer cel and background featuring characters bathing in a kitchen sink pool from the Merrie Melodies short

(Schlesinger, 1941) An original multi-layer hand-painted cel and background from the Merrie Melodies short “Goofy Groceries,” direct

(Schlesinger, 1942) An original production background from the Looney Tunes short “Wacky Blackout,” directed by Bob Clampett. The ba

(Schlesinger, 1941) An original hand-painted production cel and background of the can-can dancers from “Goofy Groceries,” directed b

(Schlesinger, 1941) An original hand-painted production cel and background of the turtle tank from “Goofy Groceries.” With an image

(Schlesinger, 1941) The original title card for the Looney Tunes short “We, the Animals - Squeak!” directed by Bob Clampett. Measuri