The Bob Clampett Collection

(Warner Bros. 1957) A pair of original storyboard panels featuring Bugs Bunny and Daffy Duck from the Looney Tunes short “Show Biz Bugs.

(Warner Bros., 1975) An original hand-painted multi-layer production cel of Bugs Bunny as a baby from the documentary “Bugs Bunny: Superstar.

(Schlesinger, 1942 / United Artists, 1975) An original production-used background from the Looney Tunes short “Porky’s Pooch

(Clampett, 1940s) A risque Christmas Card created by Rod Scribner for Bob Clampett. The card features Bugs Bunny in bed with a naked woman, while Clam

(Schlesinger, 1941) An original production background from the Merrie Melodies cartoon “Hollywood Steps Out,” directed by Tex Avery.

(Schlesinger, 1941) A model drawing of Bing Crosby from the Merrie Melodies short, “Hollywood Steps Out.” Accomplished in graphite a

(Schlesinger, 1941) A production drawing and model drawing of Greta Garbo from the Merrie Melodies short, “Hollywood Steps Out.” Acc

(Schlesinger, 1941) An original model drawing of Mickey Rooney and Lewis Stone paired with a production drawing of Jerry Colonna from the Merrie Melod

(Schlesinger, 1941) An original production drawing of James Cagney, Humphrey Bogart, and George Raft from the Merrie Melodies short “Hollywoo

(Schlesinger, 1941) A model drawing of The Three Stooges from the Merrie Melodies short, “Hollywood Steps Out.” Accomplished in grap

(Schlesinger, 1941) Three model drawings from the Merrie Melodies short, “Hollywood Steps Out.” Included are two drawings featuring

(Schlesinger, 1941) Three model drawings of Edward G. Robinson, James Cagney, and Joe Penner from the Merrie Melodies short, “Hollywood Steps

(Schlesinger, 1941) A collection of four celebrity caricature model drawings of Peter Lorre, Johnny Weissmuller, and Paulette Goddard from the Merrie

(Schlesinger, 1937) A model sheet of a quail from the Merrie Melodies short “The Crackpot Quail.” Bob Clampett created the character

(Schlesinger, 1937) An early development drawing for Quentin Quail, a precursor to Bob Clampett’s Tweety Bird. Measuring 9.5” x 12

(Schlesinger, 1937) A character development drawing of Quentin Quail. Measuring 9.5” x 12”, the drawing is in good condition with ed

(Schlesinger, 1937) An early character development drawing of Quentin Quail Although this design was not used, the character would be revisited severa

(Schlesinger, 1942) An original photostat model sheet for the Merrie Melodies cartoon “A Tale of Two Kitties.” This cartoon features

(Warner Bros., 1947) The original cel overlay for the title card of the Merrie Melodies short “Tweetie Pie.” This short marked the f

(Schlesinger, 1944) The complete 85-panel storyboard to the Merrie Melodies short “Birdy and the Beast,” directed by Bob Clampett. T

(Schlesinger, 1944) The original artwork for the very first official Tweety model sheet from the Merrie Melodies short “Birdy and the Beast

(Schlesinger, 1944) An original title card concept drawing for the Merrie Melodies short “Birdy and the Beast,” directed by Bob Clam

(Schlesinger, 1944) An original title card concept drawing for the Merrie Melodies short “Birdy and the Beast,” directed by Bob Clam

(Schlesinger, 1942) An original drawing for a publicity image of the Merrie Melodies short “A Tale of Two Kitties” directed by Bob C

(Schlesinger, 1945) A partial score for the brass and saxophone sections of “I Taut I Taw A Putty-Tat” sung by Tweety Bird in the Me

(Warner Bros., 1953) Four storyboard panels from the Looney Tunes short “A Street Cat Named Sylvester.” Accomplished in graphite and

(Warner Bros., 1954) Three original storyboard panels featuring Tweety Bird and Sylvester from the Looney Tunes short “Satan’s Waiti

(Warner Bros., 1956) An original storyboard panel featuring Tweety from the Looney Tunes short “Tweet and Sour.” Accomplished in gra

(Clampett, 1970s) An original drawing of Tweety by Bob Clampett. Accomplished in graphite, ink, colored pencil, and marker, the drawing was later used

(1980s-2000s) A brown and orange scarf featuring "Looney Tunes" stars Sylvester and Tweety. Measuring 7” x 45”, the scarf is i...

(Random House, 1940) A first edition of Horton Hatches the Egg book signed with a small drawing by Dr. Seuss. Seuss signed the book with a small egg s

(Schlesinger, 1942) Three production scripts for “Horton Hatches the Egg,” directed by Bob Clampett. Each draft includes handwritten

(Schlesinger, 1941) A pair of model sheets of Mayzie from “Horton Hatches the Egg” directed by Bob Clampett. The two sheets are iden

(Schlesinger, 1942) An original photostat model sheet from “Horton Hatches the Egg” of the hero elephant himself. Model sheets such

(Schlesinger, 1942) An original production drawing from “Horton Hatches the Egg” of Horton on the nest. With an image size of 8.75

(Schlesinger, 1942) The original title cel and background from “Horton Hatches the Egg.” The title card was later changed to the Blu

(Schlesinger, 1942) The original opening credits cel and background from “Horton Hatches the Egg,” directed by Bob Clampett and adap

(Schlesinger, 1942) A multi-layer cel and multi-layer background of Horton, a barker, and a crowd from “Horton Hatches the Egg.” Wit

(Schlesinger, 1942) An original hand-painted production cel of Mayzie and a background from “Horton Hatches the Egg.” With an image

(Schlesinger, 1942) An original hand-painted production cel of Horton and a background from the Merrie Melodies short “Horton Hatches the Egg

(Schlesinger, 1942) An original hand-painted production cel of Horton and a background from “Horton Hatches the Egg.” Measuring 5.5

(Schlesinger, 1942) A multi-layer cel of a seasick Horton from the Merrie Melodies short “Horton Hatches the Egg,” directed by Bob C

(Schlesinger, 1942) A pair of cels of the flying baby elephant and a production background from “Horton Hatches the Egg.” With image

(Schlesinger, 1942) A multi-layer cel of Horton from the Merrie Melodies short “Horton Hatches the Egg.” With an image size from 2.2

(Schlesinger, 1942) A colorful multi-layer cel of animals laughing at Horton from “Horton Hatches the Egg.” With image sizes ranging

(Schlesinger, 1942) An original hand-painted production cel of Mayzie from “Horton Hatches the Egg.” With an image size of 8.75

(Schlesinger, 1942) An original hand-painted production cel of Horton from the Merrie Melodies short “Horton Hatches the Egg.” With

(Schlesinger, 1942) An original hand-painted production cel of a trio of hunters from the Merrie Melodies short “Horton Hatches the Egg.

(Schlesinger, 1942) An original hand-painted multi-layer cel of three Hunters from the Merrie Melodies short “Horton Hatches the Egg.

(Schlesinger, 1930s-40s) A photograph of the Leon Schlesinger Animation Studio, located at 1351 Van Ness Ave in Hollywood. Measuring 8” x 10

(Schlesinger, 1939) A collection of nine production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Schlesinger, 1939) A collection of six production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki a

(Schlesinger, 1939) A collection of seven production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Clampett, 1940-50s) A collection of stationery and business cards from four of Bob Clampett’s offices after he left Leon Schlesinger Product

(Clampett, 1940s) A page of graphite drawings by Bob Clampett of Hamlet and Jigger, “The Dumbest Hossfly in the Movies.” Clampett in

(Clampett, 1946) A character model sheet of Bob Clampett’s Charlie Horse, star of “It’s a Grand Old Nag.” Model sh

(Clampett, 1946) A character model sheet of Hay-dy La Mare, the female lead and love interest of Charlie Horse of Bob Clampett’s sole Republi

(Republic, 1960s-80s) A graphite drawing and hand-painted non-production cel of Charlie Horse, the star of the Republic short “It’s

(Clampett, 1947) A large collection of 61 storyboards for the Bob Clampett-directed film “It’s a Grand Old Nag.” The short

(Clampett, 1950s) A concept art presentation for a proposed animated project starring Harold Lloyd. Bob Clampett and Harold Lloyd, who were personal f

(Clampett, 1930s-60s) A one-of-a-kind stop-motion puppet of Charlie McCarthy, paired with a walk cycle photo. The puppet with a metal interior armatur

(Clampett, 1940s-50s) An original "Time for Beany" title card painting, from a time in the series with no surviving episodes. Title cards ...

(Clampett, 1949-50s) Three photo prints of Bob Clampett puppeteering Cecil the Seasick Sea Serpent. The photos are marked with grease pencil to crop t

(Clampett, 1950) A “Time for Beany” scrapbook compiled by the show’s creator Bob Clampett. Clippings cover early mentions o

(Clampett, 1953-54) A custom hard-cover book with 55 of Bob Clampett’s personal, production-used scripts for “Time for Beany,

(Clampett, 1950) A behind-the-scenes photograph taken during the filming of “Time for Beany” for Life magazine. Pictured is Stan Fre

(Clampett, 1950) A photograph taken during the filming of “Time for Beany” for Life Magazine. Pictured are several members of the st

(Clampett, 1950s) A photograph taken backstage at “Time For Beany,” featuring puppeteer Joan Gardner, who performed Beany’s

(Chesterfield, 1952) A script page from the February 13, 1952 episode of “The Bing Crosby Show for Chesterfield” signed by Bing Cros

(Clampett, 1960s-80s) A display of Bob Clampett with his characters Beany and Cecil, the puppet stars of “Time for Beany.” Measuring

(Clampett, 1949-55) A screen-used “Time for Beany” Cecil the Sea Sick Sea Serpent puppet. Cecil was voiced and puppeteered by Stan F

(Clampett, 1949-55) A screen-used Beany Puppet from “Time for Beany.” Beany was performed by voice acting legend, Daws Butler in his

(Clampett, 1949-55) A screen-used Captain Huffenpuff puppet from “Time for Beany.” Huffenpuff, Captain of “The Leakin

(Clampett, 1949-1955) A screen-used puppet of Clowny from “Time for Beany.” Many secondary character puppets for the series were mad

(Clampett, 1949-55) A screen-used puppet of Dishonest John from “Time for Beany.” Dishonest John was inspired by Larry Martin, Bob C

(Clampett, 1949-55) A screen-used puppet of Hunny Bear from “Time for Beany.” Many secondary character puppets for the series were m

(Clampett, 1949-55) The Leakin’ Lena from “Time for Beany.” This ramshackle, not-quite-seaworthy vessel took Beany, Cecil,

(Clampett, 1949-55) An original “Time for Beany” screen-used Cecil puppet with tired eyes constructed of paper. Due to the low budge

(Clampett, 1949-55) A screen-used puppet of Cecil the Sea Sick Sea Serpent from “Time for Beany.” Throughout the series, Cecil was v

(Clampett, 1949-1955) A screen-used “Time for Beany” puppet of Cecil after an explosion. Throughout the show's seven-year run, it wa

(Clampett, 1950) An original drawing used in the production of “Time for Beany” to create the sculpt for the head of the Beany puppe

(Clampett, 1949-55) An original, production-used Beany wax sculpt used to create the rubber head of the puppet in “Time for Beany.”

(Clampett, 1949-55) An original, production-used Capt Huffenpuff wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1949-55) An original, production-used Dishonest John wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1950s) A plaster cast of a puppeteer's arm, etched with “The Golden Arm” by Bob Clampett along with his name and a copyri

(Chemi-Plastic, 1949-55) A master head sculpture of Beany from “Time for Beany.” The rubber heads from this master were used to make

(Clampett, 1950s) A “Time for Beany” simultaneous head turn device. This tool was used to move multiple puppets’ heads at o

(Clampett, 1949-55) A production-used Cecilia puppet from Bob Clampett’s “Time for Beany.” The she-serpent was Cecil

(Clampett, 1954) A Sliver the Rocking Horse puppet from Bob Clampett’s “Buffalo Billy.” Measuring 17.5” x 6

(Clampett, 1957) A Cupcake the Ostrich puppet from the pilot for a proposed series called “Twig” which was developed by Bob Clampett

(Clampett, 1949-55) A frog puppet from “Time for Beany.” Constructed of terrycloth, cotton, linen, wire, and clay and measuring 13

(Clampett, 1949-55) A platypus puppet from “Time for Beany.” Constructed of terrycloth, cotton, foam, wire, and clay, and measuring

(Clampett, 1952) An original, screen-used Speedy the Turtle puppet from Bob Clampett’s “Thunderbolt the Wondercolt.” Constr

(Clampett, 1952) A glamorous “Thunderbolt the Wondercolt” Zippi horse puppet wearing purple bejeweled glasses and a yellow racing ou

(Clampett, 1952) A production-used Zack horse puppet from Bob Clampett’s“Thunderbolt the Wondercolt.” Measuring 22

(Clampett, 1949-55) A “Time for Beany” production-used horse hand puppet. With its prominent teeth, the puppet invokes a style simil

(Clampett, 1959) An original hand puppet of Snorky, a prehistoric creature created by Bob Clampett. Clampett intended for Snorky to star in his own se

(Clampett, 1954) A production-used hand puppet of a woman in a flower dress and hat from “Buffalo Billy.” Measuring 22” tal

(Clampett, 1959) A fox puppet named 20th Century Fox used in test footage of “Beeper and his Guided Muscle,” a proposed series devel