The Bob Clampett Collection

(Schlesinger, 1930s-40s) A photograph of the Leon Schlesinger Animation Studio, located at 1351 Van Ness Ave in Hollywood. Measuring 8” x 10

(Schlesinger, 1939) A collection of nine production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Schlesinger, 1939) A collection of six production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki a

(Schlesinger, 1939) A collection of seven production drawings from the Merrie Melodies short “The Little Lion Hunter,” starring Inki

(Clampett, 1940-50s) A collection of stationery and business cards from four of Bob Clampett’s offices after he left Leon Schlesinger Product

(Clampett, 1940s) A page of graphite drawings by Bob Clampett of Hamlet and Jigger, “The Dumbest Hossfly in the Movies.” Clampett in

(Clampett, 1946) A character model sheet of Bob Clampett’s Charlie Horse, star of “It’s a Grand Old Nag.” Model sh

(Clampett, 1946) A character model sheet of Hay-dy La Mare, the female lead and love interest of Charlie Horse of Bob Clampett’s sole Republi

(Republic, 1960s-80s) A graphite drawing and hand-painted non-production cel of Charlie Horse, the star of the Republic short “It’s

(Clampett, 1947) A large collection of 61 storyboards for the Bob Clampett-directed film “It’s a Grand Old Nag.” The short

(Clampett, 1950s) A concept art presentation for a proposed animated project starring Harold Lloyd. Bob Clampett and Harold Lloyd, who were personal f

(Clampett, 1930s-60s) A one-of-a-kind stop-motion puppet of Charlie McCarthy, paired with a walk cycle photo. The puppet with a metal interior armatur

(Clampett, 1940s-50s) An original "Time for Beany" title card painting, from a time in the series with no surviving episodes. Title cards ...

(Clampett, 1949-50s) Three photo prints of Bob Clampett puppeteering Cecil the Seasick Sea Serpent. The photos are marked with grease pencil to crop t

(Clampett, 1950) A “Time for Beany” scrapbook compiled by the show’s creator Bob Clampett. Clippings cover early mentions o

(Clampett, 1953-54) A custom hard-cover book with 55 of Bob Clampett’s personal, production-used scripts for “Time for Beany,

(Clampett, 1950) A behind-the-scenes photograph taken during the filming of “Time for Beany” for Life magazine. Pictured is Stan Fre

(Clampett, 1950) A photograph taken during the filming of “Time for Beany” for Life Magazine. Pictured are several members of the st

(Clampett, 1950s) A photograph taken backstage at “Time For Beany,” featuring puppeteer Joan Gardner, who performed Beany’s

(Chesterfield, 1952) A script page from the February 13, 1952 episode of “The Bing Crosby Show for Chesterfield” signed by Bing Cros

(Clampett, 1960s-80s) A display of Bob Clampett with his characters Beany and Cecil, the puppet stars of “Time for Beany.” Measuring

(Clampett, 1949-55) A screen-used “Time for Beany” Cecil the Sea Sick Sea Serpent puppet. Cecil was voiced and puppeteered by Stan F

(Clampett, 1949-55) A screen-used Beany Puppet from “Time for Beany.” Beany was performed by voice acting legend, Daws Butler in his

(Clampett, 1949-55) A screen-used Captain Huffenpuff puppet from “Time for Beany.” Huffenpuff, Captain of “The Leakin

(Clampett, 1949-1955) A screen-used puppet of Clowny from “Time for Beany.” Many secondary character puppets for the series were mad

(Clampett, 1949-55) A screen-used puppet of Dishonest John from “Time for Beany.” Dishonest John was inspired by Larry Martin, Bob C

(Clampett, 1949-55) A screen-used puppet of Hunny Bear from “Time for Beany.” Many secondary character puppets for the series were m

(Clampett, 1949-55) The Leakin’ Lena from “Time for Beany.” This ramshackle, not-quite-seaworthy vessel took Beany, Cecil,

(Clampett, 1949-55) An original “Time for Beany” screen-used Cecil puppet with tired eyes constructed of paper. Due to the low budge

(Clampett, 1949-55) A screen-used puppet of Cecil the Sea Sick Sea Serpent from “Time for Beany.” Throughout the series, Cecil was v

(Clampett, 1949-1955) A screen-used “Time for Beany” puppet of Cecil after an explosion. Throughout the show's seven-year run, it wa

(Clampett, 1950) An original drawing used in the production of “Time for Beany” to create the sculpt for the head of the Beany puppe

(Clampett, 1949-55) An original, production-used Beany wax sculpt used to create the rubber head of the puppet in “Time for Beany.”

(Clampett, 1949-55) An original, production-used Capt Huffenpuff wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1949-55) An original, production-used Dishonest John wax sculpt used to create the rubber head of the puppet in “Time for Beany.

(Clampett, 1950s) A plaster cast of a puppeteer's arm, etched with “The Golden Arm” by Bob Clampett along with his name and a copyri

(Chemi-Plastic, 1949-55) A master head sculpture of Beany from “Time for Beany.” The rubber heads from this master were used to make

(Clampett, 1950s) A “Time for Beany” simultaneous head turn device. This tool was used to move multiple puppets’ heads at o

(Clampett, 1949-55) A production-used Cecilia puppet from Bob Clampett’s “Time for Beany.” The she-serpent was Cecil

(Clampett, 1954) A Sliver the Rocking Horse puppet from Bob Clampett’s “Buffalo Billy.” Measuring 17.5” x 6

(Clampett, 1957) A Cupcake the Ostrich puppet from the pilot for a proposed series called “Twig” which was developed by Bob Clampett

(Clampett, 1949-55) A frog puppet from “Time for Beany.” Constructed of terrycloth, cotton, linen, wire, and clay and measuring 13

(Clampett, 1949-55) A platypus puppet from “Time for Beany.” Constructed of terrycloth, cotton, foam, wire, and clay, and measuring

(Clampett, 1952) An original, screen-used Speedy the Turtle puppet from Bob Clampett’s “Thunderbolt the Wondercolt.” Constr

(Clampett, 1952) A glamorous “Thunderbolt the Wondercolt” Zippi horse puppet wearing purple bejeweled glasses and a yellow racing ou

(Clampett, 1952) A production-used Zack horse puppet from Bob Clampett’s“Thunderbolt the Wondercolt.” Measuring 22

(Clampett, 1949-55) A “Time for Beany” production-used horse hand puppet. With its prominent teeth, the puppet invokes a style simil

(Clampett, 1959) An original hand puppet of Snorky, a prehistoric creature created by Bob Clampett. Clampett intended for Snorky to star in his own se

(Clampett, 1954) A production-used hand puppet of a woman in a flower dress and hat from “Buffalo Billy.” Measuring 22” tal

(Clampett, 1959) A fox puppet named 20th Century Fox used in test footage of “Beeper and his Guided Muscle,” a proposed series devel